Feminae: Medieval Women and Gender Index


8 Record(s) Found in our database

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1. Record Number: 10881
Author(s): Suydam, Mary A.
Contributor(s):
Title : Visionaries in the Public Eye: Beguine Literature as Performance [The author analyzes both the "Vitae" of holy women and accounts of their visions. Suydam, using performance theory and modern understandings of ritual, emphasizes the collective nature, not only of the beguine public performances, but of the author and copyists as well as the audience of readers. Title note supplied by Feminae.].
Source: The Texture of Society: Medieval Women in the Southern Low Countries.   Edited by Ellen E. Kittell and Mary A. Suydam .   Palgrave Macmillan, 2004.  Pages 131 - 152.
Year of Publication: 2004.
2. Record Number: 3543
Author(s): Rodgers, Susan and Joanna E. Ziegler
Contributor(s):
Title : Elisabeth of Spalbeek's Trance Dance of Faith: A Performance Theory Interpretation from Anthropological and Art Historical Perspectives
Source: Performance and Transformation: New Approaches to Late Medieval Spirituality.   Edited by Mary A. Suydam and Joanna E. Ziegler .   St. Martin's Press, 1999.  Pages 299 - 355.
Year of Publication: 1999.
3. Record Number: 3542
Author(s): Hale, Rosemary Drage.
Contributor(s):
Title : Rocking the Cradle: Margaretha Ebner (Be)Holds the Divine [The author explores fourteenth century Dominican convent literature in which the nuns assumed the role of Mary and engaged in a tactile relationship with a figure or image of Christ].
Source: Performance and Transformation: New Approaches to Late Medieval Spirituality.   Edited by Mary A. Suydam and Joanna E. Ziegler .   St. Martin's Press, 1999.  Pages 211 - 239.
Year of Publication: 1999.
4. Record Number: 3538
Author(s): Finke, Laurie A.
Contributor(s):
Title : More Than I Fynde Written: Dialogue and Power in the English Translation of "The Mirror of Simple Souls" [The author analyzes the fifteenth-century Middle English translation of Marguerite Porete's text; the translator struggled to give passages an orthodox interpretation].
Source: Performance and Transformation: New Approaches to Late Medieval Spirituality.   Edited by Mary A. Suydam and Joanna E. Ziegler .   St. Martin's Press, 1999.  Pages 47 - 67.
Year of Publication: 1999.
5. Record Number: 3541
Author(s):
Contributor(s):
Title : Beguine Textuality: Sacred Performances [The author argues that the Beguine texts should be read as theatrical works].
Source: Performance and Transformation: New Approaches to Late Medieval Spirituality.   Edited by Mary A. Suydam and Joanna E. Ziegler .   St. Martin's Press, 1999.  Pages 169 - 210.
Year of Publication: 1999.
6. Record Number: 3540
Author(s): Hopenwasser, Nanda.
Contributor(s):
Title : A Performance Artist and Her Performance Text: Margery Kempe on Tour
Source: Performance and Transformation: New Approaches to Late Medieval Spirituality.   Edited by Mary A. Suydam and Joanna E. Ziegler .   St. Martin's Press, 1999.  Pages 97 - 131.
Year of Publication: 1999.
7. Record Number: 3537
Author(s): Müller, Catherine.
Contributor(s):
Title : How To Do Things with Mystical Language: Marguerite d'Oingt's Performative Writing
Source: Performance and Transformation: New Approaches to Late Medieval Spirituality.   Edited by Mary A. Suydam and Joanna E. Ziegler .   St. Martin's Press, 1999.  Pages 27 - 45.
Year of Publication: 1999.
8. Record Number: 7413
Author(s): Hahn, Thomas.
Contributor(s):
Title : The Performance of Gender in the Prioress [The author argues that Chaucer's Prioress both wears a kind of "mask of womanliness," and also identifies herself with a predominantly masculine Christian community by performing femininity. Title note supplied by Feminae].
Source: Chaucer Yearbook , 1., ( 1992):  Pages 111 - 134.
Year of Publication: 1992.